The Chronicle of Higher Education
The Chronicle of Higher Education: Special Report
From the issue dated July 15, 2005

Sarah E. Turner and Brian Pusser

Watch the wind in for-profit colleges' sails





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Biography: Sarah E. Turner

Biography: Brian Pusser

Articles: A Look at Higher Education's Next Generation of Thinkers


Sarah E. Turner and Brian Pusser are best known for their research on the growing political and economic influence of for-profit colleges, a result of their work through the Curry School's Center for the Study of Higher Education, a program that David W. Breneman, the dean, spearheads.

Yet for both of them, the focus was almost accidental.

For Mr. Pusser, for-profit higher education became a point of interest when he began to see the institutions as new and effective players on the political stage. During his graduate studies in political science, he and an associate professor in the education school, Patricia J. Gumport, had documented the ways that shifting patterns of state support for higher education reflected political priorities. Before long, he began to realize that new players were changing the dynamics of the education marketplace.

"The rise of for-profits is a sign of shifting subsidy patterns," he says, noting that for-profit colleges began enjoying their ascendancy in the late 1990s, at the same time that state financial support for public colleges had begun to wane. As a result, he says, tuition at public colleges is going up and "the spread has narrowed" between the cost of attending a for-profit versus a state college.

The question he finds compelling is, What are the politics of this shift?

To answer it, he has recently begun to study the lobbying practices of higher-education companies and other factors that have helped them gain political clout.

Mr. Pusser draws on an image of boats under sail in the San Francisco Bay to explain his basic hypothesis of how institutions like the University of Phoenix succeed. "Sailboats don't make the wind blow," but good sailors know how to use it, he says. "The University of Phoenix is a big boat out there on the water. It's enormously effective, but it's caught a good breeze" and has stepped in aggressively at a time when public colleges were constrained.

He adds: "The wind is what is really interesting to me right now."

Ms. Turner says her interest in for-profit colleges was piqued by their use of federal financial aid, which she learned about in a book she picked up during her first year of graduate school, Keeping College Affordable (Brookings Institution Press, 1991).

She still remembers one table that showed that students in for-profit institutions were receiving 27 percent of all Pell Grant funds. Even recognizing that the percentage was inflated by a number of disreputable institutions, many of which were shut down in the 1990s, she still finds it remarkable that the companies were capturing such a large share of the available grants. Already intrigued by the role of financial aid as an incentive, she says she realized that if the colleges were receiving such a large share of Pell Grant pie, "perhaps we should know something about the behavior of these institutions."

Focusing less on politics than Mr. Pusser, Ms. Turner sees the success of for-profit institutions and the difficulties of public colleges through an economist's eye, viewing the for-profit colleges as nimble suppliers in a market where public colleges became constrained as their state support shrinks. "For-profits are much more flexible to expand their capacity to meet this demand," she says. For-profit colleges have, for instance, pounced on the labor-market need for more nurses and more teachers by adding programs in those fields.

Recently, her interest in incentives has expanded to include the effectiveness of elite colleges' efforts to attract low-income students through recruitment campaigns, financial-aid packages, and outreach programs. She has started by looking at a program at her own university called AccessUVa. As with her work on Pell Grants, the idea is to examine each of the incentives and see which, if any, make a difference -- and why.

Sarah E. Turner

Age: 38

Title: Associate professor of education and of economics, University of Virginia

Education: B.A., Princeton University, 1989; Ph.D. in economics, University of Michigan at Ann Arbor, 1997

Career highlights: Co-editor of a forthcoming book, Earnings From Learning: The Rise of For-Profit Universities, with David W. Breneman and Brian Pusser (State University of New York Press, 1999). In addition, Ms. Turner has co-written book chapters on governance in the for-profit and nonprofit sectors for Governing Academia (Cornell University Press, 2004) and published articles on how Pell Grants, the GI Bill, and other forms of financial aid affect the college-going rate of students.

Personal: Ms. Turner has a horse named Phil. The pile of books on her nightstand (and on the floor near her bed) includes Understanding the Gender Gap and a 1911 novel about a young man learning to navigate the social mores of an elite Eastern university, Stover at Yale. "I'm a big fan of academic novels," Ms. Turner confesses. One day, she says, she would love to figure out a way to teach a course on the economics of higher education using that genre as her class texts.

 

BRIAN PUSSER

Age: 50

Title: Assistant professor in the department of leadership, foundations, and policy at the University of Virginia's Curry School of Education

Education: B.A., University of California at Santa Cruz, 1986; M.A. in political science, Stanford University, 1998; Ph.D. in higher-education administration and policy analysis, Stanford, 1999

Career highlights: In addition to his work on Earnings From Learning, for which he and the others also wrote chapters, Mr. Pusser is the author of Burning Down the House: Politics, Governance, and Affirmative Action at the University of California (2004); and editor of the spring 2005 monograph in the Jossey-Bass series New Directions for Higher Education, Arenas of Entrepreneurship: Where Nonprofit and For-Profit Institutions Compete.

Personal: Fans of alternative-country music in the Charlottesville, Va., area may know Mr. Pusser from his every-other-week show on public radio, where he goes by the moniker the Monster of Happiness, which he borrowed from a character created by the cartoonist Lynda Barry. His years working in well-stocked wine shops during college in California left him with a passion for fine vintages, and he continues to dabble in the field as a judge in competitions among Virginia wineries. "That would be the thing I know most about, after higher education," he says.

 
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