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Author Topic: Anaphora Literary Press??  (Read 5387 times)
king_ghidorah
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« on: January 23, 2012, 01:31:04 PM »

I'm not sure if this belongs here, but I was wondering if anyone had insight into or had dealings with a publisher called Anapohora Literary Press?  They seem legit, but I was just wondering.

Thanks, KG

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Last night I lay in bed looking up at the stars in the sky and I thought to myself, where the heck is the ceiling??
qassandra
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« Reply #1 on: March 11, 2012, 06:44:53 PM »

Back when the press was first starting with the Pennsylvania Journal, I submitted some poems and had them accepted. A few weeks later, the woman running the show sent an email to all contributors telling us (in the most condescending terms possible) that if we wanted to have our work published in her journal we had to agree then and there to accept any edits or revisions she deigned to make to our work prior to publication.

This is pretty far from standard operating procedure for literary journals which typically allow you to withdraw work if you find suggested revisions from the editors unacceptable. I guess the press is as legitimate as any other small press, but I certainly would not want to deal with her again.
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euphemiaubiquitu
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« Reply #2 on: April 07, 2012, 05:43:03 PM »

[Post removed. -moderator]
« Last Edit: May 14, 2012, 11:08:44 AM by moderator » Logged
faktorovich
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« Reply #3 on: May 11, 2012, 07:37:31 PM »

Dear Writers:

I recieve at least 10 submissions per day. I published 30 book titles in 2011, which means that I reject at least 3,000 submissions per year. If you don't believe the volume of submissions that I recieve, I can show you my email box. It is my policy to reply to submissions and queries on the day I recieve them with at least a notice if the work is still being considered and that I recieved a submission. I do all initial reviews myself, then send the project to one of my interns for review, then forward the intern's comments to the writer with a contract or with a rejection letter. I encourage all of my interns to say exactly what they think about the project - so that only the best projects are taken into the editing/ proofreading stage and published by Anaphora. If you are in the pile of 2,800 rejection letters that I sent out last year without forwarding them for a closer intern/ peer-reviewer review, you reply was brief and simply said that your project is not what I am looking for at this time. I might have said that I did not like your style, or otherwise put the problems with your MS in very polite, general terms - if I was more honest, I would have simply said that your work is more poorly written than the 200 manuscripts that recieved a closer review. I dedicate an enormous amount of time to running the business side of the press, editing projects and designing the books. Some of the books have sold 300-400 copies. I also work full-time as an English professor, and publish books of my own. [Edited by moderator.]

Cordially,

Anna Faktorovich, Ph.D., Director
Anaphora Literary Press
« Last Edit: May 14, 2012, 11:12:10 AM by moderator » Logged
yellowtractor
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« Reply #4 on: May 11, 2012, 07:43:29 PM »

"I before E, except after C, or as sounded as A, as in 'neighbor' or 'weigh.'"  And that's just for starters.
« Last Edit: May 14, 2012, 11:11:34 AM by moderator » Logged

i think is good for every one only the think is that we will always scares about that.
yellowtractor
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« Reply #5 on: May 11, 2012, 08:25:45 PM »

I'm not sure what to make of this press, to be honest (and I am speaking of it as an independent literary press, not in terms of its journal).  I checked some of the websites that reckon publishing scams but saw no record of it.  From an exploration of its website, it sounds as if it's pretty much a one-person show.  I hesitate to call it a hobby operation, but the editor is, apparently, employed full-time at Middle Georgia College, with which the press is not affiliated.

The submission guidelines for book-length works are on its homepage:

Quote
Anaphora has now published over 30 creative and non-fiction books. Professors have agreed to teach from a few Anaphora books. Several writers have scheduled readings at major local book stores. Anaphora books have also had several articles published about them in regional newspapers. We are actively seeking single and multiple-author books in fiction (poetry, novels, and short story collections) and non-fiction (academic, legal, business, journals, edited and un-edited dissertations, biographies, and memoires). Email full MS (books must be completed prior to submission), bio, summary and marketing plan in a single Word document to pennsylvaniajournal@gmail.com. Profits are split 50/50% with writers. Direct author sales and marketing are essential to the success of a project. We are currently printing books with Lightning Source, a subsidiary of Ingram. Anna Faktorovich, an English professor, acts as the Director, and designs most of the books.

This is not a standard publishing model, at least in the West.  In standard American publishing (small, university, or commercial), marketing is the job of the press.  Sure, the author is expected to show up--to attend appropriate conferences, try to organize readings or signings or other appearances (as appropriate)--but marketing, qua marketing, is the press's job.  I could be wrong, but what I hear Faktorovich saying here is “We don’t do any marketing.  You do marketing.”

“Lightning Source” is a POD (print-on-demand) operation that is indeed a subsidiary of Ingram, and Anaphora’s books are listed on Amazon.  So they’re at least available.  I don’t see any evidence that Faktorovich is requesting money from accepted authors.  She’s certainly casting her net very wide, though—everything from poetry to novels to dissertations to whatever.

In sum:  legit?  I think so, technically, but it’s certainly not a press that would, to my knowledge, carry any weight in the academic world, in terms of either scholarship or creative work.  Why would you want to send there, K_G, anyway?  I suppose Anaphora seems a little like McFarland to me, back when McFarland started up (to the extent that I can remember that) (and no disrespect to McFarland intended)...except that Faktorovich shows an unnerving lack of familiarity with the business end of academic publishing, based on her language and website.

I was keeping an eye on this thread, wondering if anyone would have more information on the press from a professional academic point of view.  I would be glad to hear more about this operation, especially peer review for scholarly works and how the business model (i.e., the money) works.
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i think is good for every one only the think is that we will always scares about that.
qassandra
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« Reply #6 on: May 12, 2012, 12:30:43 PM »

"I before E, except after C, or as sounded as A, as in 'neighbor' or 'weigh.'"  And that's just for starters.

And this is a great example of why I was unwilling to give this woman carte blanche to change my work.
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