It's official: I loathe these ads.
http://www.blogher.com/am-i-too-cynical-better-lifeI had always been suspicious these ads from The Foundation for a Better Life were either a slick ad campaign from a cult (e.g., Scientology) or some right-wing PR firm (think the Arthur S. DeMoss foundation that assaulted our sensibilities with cute-as-the-dickens mostly white kids in the 80s as part of their swell "Life, What a Beautiful Choice" anti-choice ad campaign).
Taken from the "Might Have Known" file, it very much turns out to be the latter. The ad campaign is the brainchild of one Philip Anschutz, oil magnate, corporate raider and bigot.
The really slick aspect of the ad campaign is that it appropriates the icons and values that everyone--- and particularly (secretly soft-hearted) liberals like myself--- could get behind. What's not to love about a picture of Christopher Reeve that says "COURAGE---PASS IT ON"; or Thomas Edison that says "PERSEVERENCE---PASS IT ON"; or Susan B. Anthony that says "EQUALITY---PASS IT ON"; or Jackie Robinson that says "CHARACTER---PASS IT ON". (Some of these I'm making up, some of them I'm not. I don't feel like looking it up. I've seen these in airports everywhere. So have you, probably.)
But today, I saw the commercial (speaking of ad campaigns that don't make sense) that gave me the "aha!" moment. Accompanied to the strains of country ballad "The Good Stuff," we see a montage of stages in the relationships of heterosexual couples on their way to the altar. "It's the first kiss on the second date / Dropping the ring in the spaghetti plate / This is the good stuff".
Aha. That's what this is about. It is a slick campaign to convince the moderate middle that if they are for the good, wholesome values of perseverance in the model of Edison; of character in the model of Jackie Robinson; of equality in the model of Susan B. Anthony; of courage in the model of Christopher Reeve--- if you believe in all these good, warm, fuzzy things that define mainstream American values--- then you
cannot be in favor of gay marriage.
And, like the hokey pokey, that's what it's all about.
We've been seeing these slick, warm-hearted billboards for years. But
this is what it's all about: the preservation of heteronormative cultural values. I have to hand it to him. In an era of 30-second soundbites and instant gratification, I really admire the long arc to this ad campaign. To lull people into receptivity for
years on end before lowering the boom and oh so subtly revealing what it's really about.
And it is subtle. The "good stuff" ad never says "We're against gay marriage". It's simply that the iconography is
undeniably aggressive in its hetereonormativity. "Something something something about the rice in her hair [picture of a veiled bride] / burning all the meals in the first year" (N.B.: in the ad,
the wife cooks meals for the beleaguered, but good-natured, husband). Note also that the choice of
country music is a dog-whistle to a particular segment of the population who will clue in to the subtext because of it.
You know what? I'm going to issue a one-time-only blanket apology to all the Libertarians on the board for all the $hit I give you guys. Because your platform is basically two parts: the constitution, and the abolition of regulation (including, and especially, taxation). So that means you're not half bad. I agree with most of you on most of the constitution stuff.
But this culture-war crap has got to go. It's
all bad and it's all loathesome. Some billionaire hates gays so he can finance a multi-year ad campaign grinding his ax, and grinding out his ads. It sucks. I'm ambivalent about what to do about the fact that if you have a billion dollars you can just slime people you don't like. Maybe bring back the fairness doctrine (though it has thorny and complex First Amendment ramifications). Certainly limit the number of media outlets billionaires can own. (Sigh... I know, Libertarians, you don't like that. Apologia is not concurrence.)
This is another place where I have to hand it to the right. They get it and the left doesn't. The right knows how to put out the "Morning in America" ad. Obama figured some of that out, but Hope and Change was primarily an economic message--- we Hope the economy will Change and get better. After Dubya and deregulation trashed the economy, the right effectively had to cede the Morning in America message to Obama, at least for this election cycle. But boy oh boy, are they now hitting hard on the cultural stuff. Liberals put out ads appealing to rationality, and that's invariably why they lose. "Vote No on 8 Because It Will Create a Slippery Slope of Legalized Discrimination." That's true. But that weak message can't compete against the emotional, subliminal associations of
heteronormative marriage with The Good Stuff. (That was essentially what the weak-as-water No on 8 ads in California really amounted to.)
California's counter-intuitive failure to stop 8 I think revealed something profound that the right is able to seize upon. In California, the supposedly most liberal state, liberals there are committed to gay rights on the "some of my best friends are...." level. Hence, the slick campaign. It's Okay, liberals. We understand you. You supported civil rights, and so we're showing you pictures of Jackie Robinson. You supported women's lib, and so we're showing you pictures of strong, independent women like Marie Curie and Susan B. Anthony. You supported disability rights, so we're showing you Christopher Reeve. And it's okay. We know, deep down, you're still
wigged out by the idea of your gay friends actually marrying each other like you can, and you know what, that's fine. That's just fine. Go with it. It's okay. Reject gay marriage and be part of mainstream America.Smart strategy. If they can peel off just enough support of people who traditionally support
other civil-rights-resonant legislation, then Gay Marriage will always lose at the ballot box, just like it did in liberal California. And they know that emotional appeal drives votes. Rational argument doesn't.
But for me, I recognize this subterfuge for what it is. And I Pass On It.