February 27, 2013, 5:34 pm
By Marc Parry
Scholars are increasingly taking a quantitative approach to history. You see that in the writing of the Stanford archaeologist-historian Ian Morris, whom I profiled in this week’s Chronicle Review, and in the work of even more radical quantifiers like Peter Turchin, a biologist at the University of Connecticut whose burgeoning discipline of “cliodynamics” is featured in a sidebar to the Morris article.
Yet scholars have experienced earlier infatuations with number-heavy history, notably the 70s-era boom-and-bust of “cliometrics.” And now we can quantify it.
In response to the Chronicle Review articles, Mr. Turchin graphed the evolution of quantitative history by tracing how frequently some relevant terms appear in Google’s enormous corpus of digitized books. What he found might be of interest to historians and social scientists, who sometimes tell different stories about what…
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September 26, 2012, 8:04 pm
By Marc Parry
It was an unsolved mystery of classical music. An “Easter” sonata, sometimes attributed to the 19th-century composer Felix Mendelssohn, had largely disappeared from history. Scholars suspected the work was actually by the celebrated composer’s sister, Fanny Mendelssohn Hensel. But the manuscript seemed lost, so how could they prove it?
Duke University announced this week that a 28-year-old Ph.D. student in musicology, Angela R. Mace, had unraveled the riddle, demonstrating that the 1828 sonata was Hensel’s work. How Ms. Mace did it is a story of archival digging and sheer luck that culminated in a trembling moment of excitement as she held the missing manuscript in the Paris office of its private owner.
The discovery helps shed light on a composer who wrote during an era when a musical career was impossible for such a high-status “lady of leisure.” Hensel lived in “a golden cage”…
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