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The Downside of Experience

September 22, 2011, 10:36 am

As an advice columnist, I’ve gotten a lot of mileage out of the fact that I’ve been teaching and administrating for so long (26 years and counting). Yet there is a definite drawback to all those years of experience: they have also been years of my life.

In other words, I’m getting old. Well, not old, but definitely middle aged, and although healthy, active, and relatively fit, I still sometimes feel the effects of the years when I step inside the classroom.

For one thing, my memory isn’t what it used to be. I’m not talking about remembering students’ names. I’ve never been very good at that, perhaps my greatest failing as a teacher. But I’m working on it and actually getting better.

Nor am I talking about remembering what I’ve read or things that I’ve learned. I can still recite poems I memorized as an undergraduate.

But there are times when I lose track of what I’ve told one class and what I’ve told another. I fear that sometimes this leads me, like my father or grandfather, to reiterate the same points, repeat the same examples, retell the same stories. No doubt I am in the process of becoming my father and grandfather. I just wish it weren’t happening in full view of my students.

In my defense, part of the problem (this semester, at least) is that I teach four of my five classes, including three sections of the same course, in the same room. This arrangement is in many ways quite convenient, but the familiarity of the surroundings makes it difficult to keep track of what I have or haven’t said: I may remember very clearly having told a class something in that room, but I can’t remember which class it was. I frequently have to remind myself, as I’m talking, whether it’s Monday or Tuesday, first period or second.

I also console myself with the same platitude that I offer my wife when she misplaces her car keys or her cell phone: It’s not that our memories aren’t working as well as they used to, I tell her. It’s just that there’s so much more to remember than there used to be. The memory chip is full. Whenever we download new data, we have to delete something else.

Another age-related issue I’m having is that so many of my favorite stories and examples from pop culture—or what used to be pop culture—are now hopelessly out of date.

The other day, as I was introducing the concept of peer editing, I wanted to make the point that moviemakers in Hollywood do much the same thing on a grander scale. That is, they screen movies for focus groups before releasing them to the general public. I told them that, in the original cut of Die Hard, the L.A. cop played by Reginald VelJohnson gets killed at the end. After the focus group gave that resolution an unequivocal thumbs down, the producers went back and re-shot the final scene.

I don’t know, by the way, if that story is actually true or merely apocryphal. I read it somewhere and thought it illustrated perfectly the point I wanted to make. The only problem is, hardly any of my students had ever seen Die Hard. The example, true or false, meant nothing to them.

Come on. Who hasn’t seen Die Hard? A bunch of students born in the 1990’s, apparently, for whom any movie made before they appeared on the scene might as well have been a silent picture.

So I guess I’m going to have to find some new pop culture references, which means—unfortunately—exposing myself to new pop culture. That I find the idea distasteful is no doubt also a function of age.

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  • http://www.facebook.com/people/Eliana-Osborn/572634960 Eliana Osborn

    Be strong Rob, these things happen to us all.  I struggle with STAR WARS references which have no relevance to my young, mostly Hispanic students.  How can you understand anything in literature if you can’t compare it to Star Wars?

  • yellow1

    Rob, one trick I’ve used is linking the references. I remember teaching a class a few years ago, and we approached our section on Film. Students aren’t going to know Ingmar Bergman unless they are film buffs or have read ahead. So…they don’t know him. But, and this is one that took little effort from me, I linked the remake of The Last House on the Left that was in or about to open in theaters at the time to Bergman. I explained that this “new” film is a remake of Wes Craven’s original from the 70s that was a remake/homage to Bergman’s The Virgin Spring. Sure, a little circuitous, but I think showing those links back to things helped solidify it to my students, and it let them know that those things in the past/the originals we may appreciate more are still available for consumption.

    Die Hard is something that I think could be linked up to the present with students, especially in relation to revision/audience awareness. I just used the examples of sponsors pulling from tv shows for students. On the one hand, Jersey Shore gets blasted and a few sponsors pull out. The show has massive ratings (the public/audience has spoken), and it stays on the air and is booming today. Even its stars have their own advertisements now, and more sponsors replaced the originals that pulled. Same network, identical market for the show Skins. Audience isn’t there, sponsors pull same way as Jersey Shore, presto, that show is cancelled. Both called too risque, both lose sponsors, but one has the butts in seats, so to speak, to stay on air.

  • robjenkins

    Thanks for the suggestion, yellow1. I’ll try that.

    Rob

  • clerxr1

    I am really chuckling, in 3 minutes I was able to come up with half a dozen or so of these types of incidences.  God help us all!

  • v8573254

    I was always better at keeping up w/pop culture novels and w/sports than I was w/movies.  However, it is part of our work/prep/whatever, I think.
    It’s arduous, but sometimes I rearranged the seating for diff classes – not for memory so much as affect/climate/efficiency.  It helped.
    You are an excellent writer for these occasions.  Your willingness to be straightforward is most welcoming.

  • 11182967

    My greatest (and essentially only) reward for being a department chair at a small college was to be able to assign my own schedule.  Once I became chair I always assigned myself four different courses (that stuff about “reducing one’s number of preparations” is silly–four classes is four classes, not matter how few courses you’re teaching).  With four different courses there’s none of that confusion between the MWF section and the TR section.

    But nothing fixes the pop culture references.  I remember as a TF in the 60′s using a Herbert Gold essay which referred to James Dean and discovering that most of the class thought the reference was to Jimmy Dean (then known as a singer, now forgotten even as a sausage seller).  Give it up on the pop culture references–you can’t stay current enough to be cool, and if you are cool you’ll soon be resented (students are supposed to be cool, not faculty).  Stick to the grownup stuff you’re teaching (and don’t let them call you by your first name).

  • 11244074

    We have not met, and I am slightly older and quit a bit less accomplished, but everything you said is absolutely true of me. Another problem at this point is that there are few colleague-peers to share these particular woes with, as these problems don’t plague the younger ones…yet.

  • prgormley

    I understand this issue completely. As a criminal justice professor, one of the most commonly cited examples of numerous issues in the field is the OJ Simpson case … which happened when the eldest of them were in kindergarten, others unborn. My current resolution is temporary, my daughter is their age and she keeps me up to speed; as she ages, I’ll need another student-age mentor!

  • 11293505

    I think the best way to handle this is to come clean.  Don’t try to be cool.  Be the smart and experienced and helpful grandpa that you are.  Let the students know that your reference to, say, Brando or Monroe or Heller or Leary or Joplin or whomever predates even their parents’ memories.  Then do it right, in context, and make it work.  When I was an undergraduate in the 60s I had a terrific old 30s radical as a sociology professor and I loved–and learned from–her references to Father Coughlin and the like.  In the same way, my good students (not the dumb, smug ones) are fascinated by having a whole new world opened up for them–one that, with help from you, can be made relevant to the one they’re living in today.  That, in part at least, is what education is all about.

  • DianaNicholetteJeon

    I haven’t seen Die Hard. :-) AND I am old enough to know the movie.

  • anon1972

    Me neither (and i was more than old enough to see it in the theater, not to mention the numerous TV broadcasts in my lifetime; to me Bruce Willis is still “that guy from ‘Moonlighting’”)!  Yet I nonetheless understand the analogy that Prof Jenkins was drawing — so I think it’s fine to go on using it :-)

  • mindnbodybuilding

    How timely! I am just now experiencing the same things! I teach 3 of my 4 classes in the same room and have started writing things down (we had a quiz today ?!?!) because I’ve been forgetting what I told one class vs. another. Worse yet, the other day I had a student answer 3 questions in a row, all of them correctly. He smiled and looked pleased with himself and his buddies around him ribbed him, so I teased him too and said “easy now, you’re not a Jedi yet!” Only 3 or 4 chuckled and the rest of the class looked slightly confused.

    *sigh*

  • 11223435

    A few years further into your career (like I am) and you’ll find yourself groping for the next word in the sentence, unable to complete your thought.
    So, I tell my students (and I THINK they get the irony) that we should all just think of my memory lapses as the Socratic Method, and that they should finish my sentences for me.
    But I may be entering another stage–a day or so ago I used the word “cucumber” instead of “computer.”  And so it will go….

  • janellelafond

    Rob, Enjoy your columns!  I laughed the laugh of self-recognition on this one, as I do all those things, too.  I used to give a quarter to a student if I got their name wrong; I don’t do that anymore, I’d probably go broke!  I do ask my students what they watch, so I can tune in to pop references.  However, like you, I prefer not to watch the desperate dancing housewife jackasses of jersey. 

  • http://who-will-kiss-the-pig.blogspot.com Richard Grayson

    I was going to post a comment identifying with your problem, but I’m not sure if I said the same thing after another Chronicle article.

    Seriously, when in doubt, I just tell the class at the beginning of the term to stop me if I tell the same story twice.  With an 80yo mom in the final stages of Alzheimer’s disease whose first symptoms were just that kind of repetitive storytelling when she was not much older than I am now (60), I actually would like to know this for my own reasons as well as for teaching purposes.

    As for dated references, I wouldn’t worry.  I’ve had entire classes stare at me blankly when I’ve mentioned Talib Kweli, Janelle Monae, Tao Lin or Zola Jesus.

  • dpmccain

    Heavens…thank you.  My lessons were usually riddled with references to Henry James, Jane Austen, Fraiser, West Wing, and even Gone with the Wind.  Most of my students looked at me as if I had run mad before their eyes, and I stumbled for  contemporary references.  Some suggested I watch Family Guy (I tried…I really did, but found the show vile),

    I made references to US History, and yes, I remarked the other day they must have all slept through 8th grade history and then 11th as well.  I made a stab at 6th grade Ancient History, and made a reference to Troy…only to be met with “oh yeah..the Brad Pitt movie.”

    Oh well, my hiatus from teachng (not voluntary by any means…but check my other blog posts) may prove to be a godsend.  I will read The Prince (again), Picture of Dorian Gray (again), and look into a literature class when I go back to graduate school in January.

    Old?  Yes…I call it old..I am tired of repeating myself, putting things in writing for my students, only to have them say, “is there homework?” because they cannot be bothered to read the lesson plan. 

    Have you considered that perhaps forgetfulfullness is our defense mechanism against the mundane? 

    I was scrolling with the remote the other day….Some new housewife show, a few new celebrity couples airing their flawed grammar and botox ridden faces before us,I am old enough to remember when Bruce Jenner looked like…Bruce Jenner.   and I seem to recall something about wild pigs gone even wilder.  I am glad my bookshelf is stocked and my roses need deadheading.

    Thank you for the wake-up call. 

  • dpmccain

    I cannot speak for your students, but many of mine were so busy texting they weren’t listening the first time I told a story, so it was fresh to them when I repeated it in the next hour.  I had a few grand ones who would whisper “birdwalk” to me *( or walk birdfeet up their arm as a reminder to me) when I became so enchanted with my narratives I forgot what my point was…bless them.

  • dpmccain

    Who?  I had to Google your references.  Just goes to show you. 

    I made  reference to Christian Dior, Coco Chanel,  and Bill Blass the other day (I cannot remember why), but the blank stares caused me to chuckle aloud…even Billabong eludes them. I should have stayed with Tommy Bahama.   

  • polisciguy

    And to think, I would love to explain in my politics class that all lawmakers are telling the truth “from a certain point of view,” but I know they would be at a loss to ascertain the Obi Wan quote from Episode IV. I have a friend who sprinkles his geography exams with Star Trek references like the Romulan Neutral Zone, and just shakes his head when some students actually believe it defines the border between Canada and the United States. Yet, he bravely does it anyway and the smart ones either laugh because they know it is a distractor answer or they may actually know the series (other than because of Chris Pine or Zoe Saldana).

    And to echo Eliana on this one: Rob, if we do not inject cultural reference points for the students to mark (whether from our generation or theirs), we simply are regurgitating what can be found in a book. We are, as you said in a recent post, the sage on the stage, and if we as sages (or sages in training like myself) aren’t making them think, then we should get off the stage. Besides, all the students have wi-fi internet connections. Let them look up who the heck you’re talking about instead of checking their facebook status or text messages. That’s what I did (OK, most of the time.) when I was in grad school the last go around. It made the classes much more interesting. 

  • robjenkins

    Thanks, Janelle. Glad to have you as a regular reader.

    Best,
    Rob

  • robjenkins

    Agreed, polisciguy. Thanks for the pick-me-up. You too, Eliana.

    Rob

  • educationnet2007

    Rob, you wouldn’t be the Lone Ranger at any age. Even in my 20s, when I taught the same class four or five times, I couldn’t keep track. The problem was all the sameness. My solution was to teach at least 3 different preparations. A lot more work, but I got bored teaching the same thing to four or five different classes anyway. At the age of 69, I have my issues with short-term memory. I just accept that I have to write down what used to come to me with ease.

  • changing123

    I was in graduate school (Clinton era, and I was in my 20s) when I first started feeling old as I spoke to students. It happened when I showed them a picture of Reagan and they had no idea who he was. 

  • dthopwood

    To quote Satchel Paige, the greatest baseball player of all time (Negro Leagues), who was passed up in his late 40′s in favor of the younger Jackie Robinson as the first person of color to integrate the major leagues (Brooklyn Dodgers)…

    Age
    is a case of mind over matter. If you don’t mind, it don’t matter.
    How
    old would you be if you didn’t know how old you are?
    Work
    like you don’t need the money. Love like you’ve never been hurt. Dance like
    nobody’s watching.

  • en_chat

    Most have commented on the main dilemma, but I think the more subtle nuance is a commentary on aging. There is a time when we are very like our students, and the challenge is to differentiate oneself. There is a time when we feel solidly authoritative – on top of our game. Then the wind changes, just ever so slightly, and the windvane points slightly more northward. We feel age blowing, a harbinger of more to come. There is a tinge of regret in the change; and a slight loss of footing, which I think is what is being referred to here. The popular references which were once presumed to be universal are discovered to be of a time (the youth of today feel that their references are universal). Other questions arise… but this is not a growing irrelevance – it is a growing relevance. This is age, wisdom, emerging, more than knowledge. Wisdom is not snappy – it carries a different import. Meanwhile, back to teaching… the challenge is to communicate on a plane that engages well with younger adults. Wisdom will attract some – others will not be able to hear beyond their own age.   

  • bibliophile31

    en_chat—I couldn’t have said it better.  Bravo!

  • englishsensei

    Seriously? I’m surprised that they didn’t know this reference. Maybe I just hang out with too many geeks!  Then again, I’ve made Star Wars references to my students and several of them drew blanks too, though to be fair, a lot of them are Saudi Arabian international students studying English here in America. So I guess I can forgive them! :)

  • duppy_conqueror

    Don’t feel bad, Rob! I actually had a young teaching colleague a few years ago ask me who John Lennon was. He said he was raised on techno music. Or he was putting me on. Imagine no John Lennon; I wonder if you can…

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