![]() A chair is the perfect companion to a cutout in the wall of the addition Charles Gwathmey designed for Yale’s Art & Architecture Building. (Chronicle photographs by Lawrence Biemiller) |
The architect Charles Gwathmey, who died early Monday at age 71, designed a number of influential buildings on campuses. In fact, important buildings at Princeton and Yale Universities almost bookend a career during which his firm, Gwathmey Siegel & Associates Architects, became especially well known for its residential work but at the same time designed or renovated buildings on dozens of campuses.
Early on, the firm’s 1971 renovation of a Classical Revival debating-society building at Princeton, Whig Hall, garnered attention and praise when it introduced daring Modernist elements without infringing on the columned front. Among other high-profile projects of later years was the University of Cincinnati’s Tangeman University Center, completed in 2004, for which the firm preserved the red-brick facade of an older building but grafted on a metal-clad addition and created an interior that was nothing short of a Modernist fantasia.
One of Mr. Gwathmey’s final projects was the renovation of Yale University’s Brutalist Art & Architecture Building, designed by Paul Rudolph and opened in 1963—while Mr. Gwathmey was an architecture student at the university and an assistant to Rudolph. The project was a particular challenge, requiring that Mr. Gwathmey respect Rudolph’s design and repair decades’ worth of damage to it, as well as design a large new addition. When the project was completed, Mr. Gwathmey was widely praised for improvements to the original structure, but his addition drew lukewarm reviews at best.
![]() Mr. Gwathmey’s firm designed the Tangeman University Center at the U. of Cincinnati. |
![]() The design preserved a red-brick facade, along with a clock tower, and grafted on a metal-shrouded addition. |
![]() The Tangeman Center’s interior is a Modernist fantasia. |
![]() Mr. Gwathmey’s addition to Yale’s Art & Architecture Building looms over a smaller Gothic Revival neighbor. |
![]() The ceiling of the library in Mr. Gwathmey’s addition is starkly Modernist. |
![]() At the building’s top, a block of the Rudolph structure overlooks a deck by Mr. Gwathmey. |
![]() Overall, the renovation was judged a success. |









