
Church of the Red Monastery (photo courtesy of Betsy Bolman)
For more than a decade, the Temple University art history professor Betsy Bolman has been bringing paintings back to life in the Church of the Red Monastery. The 6th-century structure, near Sahog, Egypt, is perhaps the best-preserved original late-Roman painted church interior in the Byzantine world. A&A checked in with Bolman this week to see how the political tumult in Egypt was affecting her work. She wrote:
“The bigger picture of my work on the Red Monastery church will hopefully not be drastically affected by the most recent Egyptian revolution, but my conservation campaign for this spring (12 conservators for two months) was canceled due to the unrest. … But given the extraordinary amount of antiquities in the country, the real story is how little was taken or vandalized, in contrast, for example, to Iraq. … The church I’m working on is in Upper Egypt, and is part of a living monastic community, so it was protected by the abbot in charge of the monastery, thank goodness.”
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At 6 p.m. on March 18, the Dynamic Media Institute at the Massachusetts College of Art and Design will present “Krzysztof Wodiczko: Works.” Wodiczko, whose video and sound installations have appeared in galleries and public spaces around the world, will discuss his current projects and the potential of art to delve into the collective experiences of violence and healing. His work includes testimonies by immigrants who are victims of European xenophobia, survivors of the bombing of Hiroshima, mothers who lost their children in gun violence in Boston, female survivors of violence in Kraków, Tijuana, and Iraq; and Iraq and Afghanistan war veterans from the United States, Britain, and Poland.
More info.: e-mail gradinfo@massart.edu, or call 617-879-7333.
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March 24-27, Georgetown University will present the Tennessee Williams Centennial Festival, uniting renowned playwrights, directors, actors, and scholars, including Edward Albee, John Waters, Michael Kahn, Theodore Bikel, Kathleen Chalfant, Sarah Marshall, Ted van Griethuysen, Rick Foucheux, Target Margin Theater, Christopher Durang, and Joy Zinoman.
The events—fully staged productions, interactive multimedia experiences, workshops, concerts, panels, screenings, discussions, and readings—are organized by the university’s Theater and Performance Studies Program, in partnership with the American Studies Program and Arena Stage at the Mead Center for American Theater.
Visit the festival’s site for up-to-date program information.
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In May, 80 University of Michigan student musicians from the School of Music, Theatre & Dance will travel to China, spending three weeks in Shanghai, Xi’an, Shenyang, Bejing, and Tianjin before performing in a grand finale concert on May 29 at the Walt Disney Concert Hall in Los Angeles.
Under the direction of Michael Haithcock, the Symphony Band tour will include performances at conservatories and concert halls, and sessions with Chinese student peers. It will showcase works by faculty composers, including William Bolcom, Michael Daugherty, Kristin Kuster, and Bright Sheng.
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April 1 through 8, the New School will present its first arts festival, which will explore the relevance of the classic genre of noir. The festival will include iconic films, hard-boiled storytelling, graphic art, and music inspired by this quintessential American style.
Featured artists and critics will include Frances McDormand, Todd Haynes, Marc Ribot, Guy Maddin, Mary Gaitskill, Robert Pinsky, Greil Marcus, Luc Sante, Terry Teachout, Paul Moravec, Frank Bidart, Molly Haskell, and Ben Katchor.
Events are free and open to the public, but reservations are recommended. For the full schedule, visit the festival site.
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The untold story of the female brainpower that helped win WWII is the subject of a documentary by the Temple University film professor LeAnn Erickson that’s now out on DVD and screening at sites in California, New York, and Pennsylvania.
The idea for Top Secret Rosies: The Female Computers of WWII came to Erickson by chance as she worked on another project in 2003. She couldn’t believe she’d never heard about the women who were recruited by the government to work at the University of Pennsylvania on ballistics calculations used by soldiers on the battlefield.
Read more about the film and see the trailer here and here.
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