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Playing Soon at Tufts U.: Soundgarden

Harmony in the Age of Noise
The library at Tufts U. will feature a sound sculpture, from which visitors can hear sounds from around Boston. (Courtesy of Tufts U.)

Most sculptures are meant to be seen. But this month Tufts University unveils a sculpture designed to be heard.

Harmony in the Age of Noise, which will be installed on the roof of the university’s library, is a little tricky to describe. Its creators call it a sonic observation post. Tufts’s efforts to explain what that means involve opaque terms like parabolic gazebo and psychoacoustic maps.

dial
Testing the sound dial

Basically, it will be a structure under which visitors can listen to sounds from one of three sources: a live feed from outside a campus building, student-made recordings from around Boston, or sound clips people have uploaded to the projects Web site. The online component will allow a person to send a message to someone else by having the recipient stand under the gazebo at a specified time.

Creating that experience requires technical precision. The structure is designed so that sounds can be heard beneath it, but not outside, and visitors will use a digital sound dial to choose the sound they want to hear.

The project, put together with help from Tufts students and a local Brownie troop, was dreamed up by a Tufts anthropology professor, David Guss, and a sound artist, Bruce Odland. In a culture that they say privileges visual information, Harmony is intended as an intense sonic exploration of our world, according to Mr. Guss. Yet he admits it’s tough to explain the effort without relying on words that have to do with sightlike gazebo, which, by the way, is thought to be a corruption of the Latin for I shall see.

After the exhibit at Tufts, Mr. Guss and Mr. Odland hope the installation can move to a different campus. If that works out, another college will have to explain what the heck it is.—Beckie Supiano

Scott Carlson | Thursday April 17, 2008 | Permalink | Contact us

Comments

  1. Harmony in the Age of Noise is an intentional soundscape installation. What is “tough to explain” about it, is that it is bringing together a collection of technologies that have never been used together before. The idea is that we live in a society that is visually oriented, and as a result, has forsaken the audio. On a day to day basis, we experience an audio-visual disconnect – that is the unintentional noises we encounter every day are tuned out to accommodate for what is a sight-dependent society. The project is a multi-layered piece that encourages those interacting with it to become aware of their sonic environment.

    Visitors do not control the piece, rather the piece uses capacitance sensors to encourage user engagement. The piece was not created by students and a brownie troop; rather, it is the result of collaboration between NY artists Bruce Odland and Mark McNamara, with the help of skilled composers, sculptors, carpenters, astrophysicists, sonic engineers, structural engineers, and students of all ages – including a brownie troop in Chinatown Boston that Bruce held a workshop with.

    As someone who has spent much time and energy collaborating with the people involved and working on this project, I am, quite frankly, shocked and disappointed at the amount of misinformation in this article. For substantive and informative discourse on the piece, please visit the website for Harmony in the Age of Noise:

    www.age-of-noise.net

    or, you can listen to the feature on NPR:

    http://www.loe.org/shows/segments.htm?programID=08-P13-00015&segmentID=6

    — Sarah Moshontz de la Rocha    Apr 18, 04:38 PM    #