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Contributors to this collection, edited by Claire Potter and Renee Romano, consider the wide range of challenges the practice of contemporary history poses. These essays address sources like television and video games, the ethics of writing about living subjects, questions of privacy and copyright law, and the possibilities that new technologies offer for writing history. Doing Recent History offers guidance and insight to any researcher considering tackling the not-so-distant past. Buy the Book
- Academic Cog
- Bully Bloggers
- Center of Gravitas (GayProf)
- Chapati Mystery
- Confessions of a Community College Dean
- Constitutionally Speaking
- Corey Robin
- Crooked Timber
- Dame Eleanor Hull
- Easily Distracted
- The Edge of the American West
- Ferule & Fescue
- Joe. My. God.
- Lawyers, Guns and Money
- Legal History Blog
- Madwoman With a Laptop
- New Deal 2.0
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- Religion in American History
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- We Are Respectable Negroes
- American Historical Association Blog
- Chronicle of Higher Education
- Inside Higher Ed
- Juan Cole's Informed Comment
- Ms. Magazine
- National Public Radio
- New York Times
- States of Devotion
- Ta-Nehisi Coates/ The Atlantic
- The Book (The New Republic)
- The Book Bench
- The Daily Kos
- The Nation
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Claire Potter's is the first book to look at the structural, legal, and cultural aspects of J. Edgar Hoover's war on crime in the 1930s, a New Deal campaign which forged new links between citizenship, federal policing, and the ideal of centralized government.
War on Crime reminds us of how and why our worship of violent celebrity hero G-men and gangsters came about and how we now are reaping the results.Buy the Book
Category Archives: movies
July 26, 2010, 1:12 pm
If you want to read the glowing review of Lisa Cholodenko’s lesbian family flick The Kids Are Alright go to A.O. Scott (New York Times, July 8 2010). Michelle Solomon, in The Guardian (July 23 2010), is slightly more reserved, dubbing it a “relationship movie” and noting that the high-profile actresses will allow it to “[avoid] being pigeonholed as a ‘gay movie.’” (Thank god for this, that’s what I say.) If you want to read the intelligent review by a queer scholar, that will actually get into it why this is a lesbian movie, go here for Jack Halberstam’s “The Kids Aren’t Alright” (bullybloggers July 15, 2010).
March 20, 2010, 1:42 pm
It may turn out that I am one of the few people in the United States who didn’t like The Hurt Locker, a movie about a bomb disposal team in Iraq which is all the rage. Yes, I know it won six Academy Awards, including the first Oscar ever awarded to a woman director, Katherine Bigelow. I realize that I am always supposed to cheer for the woman, but as a feminist historian and cultural critic I found this film terribly disturbing.
(Speaking of history: Bigelow’s Wikipedia entry lists her as married to James Cameron; go to his, and you will discover that they divorced in 1991, and Cameron has added one ex and a current wife since.)
There were the good disturbing parts, of course. Bigelow, a director of several action and horror films, was exactly the candidate for the scenes where Staff Sergeant Will James (Jeremy Renner) has to figure out, not where the bomb is, but how many bombs…
January 5, 2010, 9:46 am
We are in the last week of our two-month South African adventure. This is the stage of a long trip when the desire to squeeze every last drop out of the experience is in active competition with the urge to just throw away all your filthy clothes, get on a plane and go home. Now.
And at this moment, your favorite Radical got a nasty stomach flu, and was unable to do anything at all.
Except go to the movies, where we saw Invictus. This is the new film directed by Clint Eastwood that stars Morgan Freeman as Nelson Mandela and Matt Damon as Francois Pienaar, the captain of the South African national rugby squad, the Springboks. It memorializes the year after the historic election in which Mandela took office backed by a resounding majority of South Africans, most of whom had voted for the first time in their lives. It is a self-consciously uplifting movie, in which swelling music cues…
August 19, 2009, 3:34 pm
I want to start by saying that for all of you who are cooking metaphorically in these muggy, torpid final days until the semester begins, Julie and Julia is the perfect grown-up summer movie. I barely go to the cinema in the summer at all anymore because I don’t like movies about kids and animals; I detest all comedies; and high-tech animation leaves me cold. I love movies about super heroes and star fleets, but none of them end happily anymore, and the point seems more to turn every last flicker of interest one has in a utopian future into gold than to tell a story that sticks with and/or moves a person. Compare, for example, the first Terminator movie — in which we see that we are not doomed to be ruled by machines –with nearly every one that followed that has rescinded that promise.
My point exactly. HOWEVER:
Julie and Julia is fun and witty, and it centers the question of what…