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Contributors to this collection, edited by Claire Potter and Renee Romano, consider the wide range of challenges the practice of contemporary history poses. These essays address sources like television and video games, the ethics of writing about living subjects, questions of privacy and copyright law, and the possibilities that new technologies offer for writing history. Doing Recent History offers guidance and insight to any researcher considering tackling the not-so-distant past. Buy the Book
- Academic Cog
- Bully Bloggers
- Center of Gravitas (GayProf)
- Chapati Mystery
- Confessions of a Community College Dean
- Constitutionally Speaking
- Corey Robin
- Crooked Timber
- Dame Eleanor Hull
- Easily Distracted
- The Edge of the American West
- Ferule & Fescue
- Joe. My. God.
- Lawyers, Guns and Money
- Legal History Blog
- Madwoman With a Laptop
- New Deal 2.0
- New Kid on the Hallway
- Nursing Clio
- Pat Griffin's LGBT Sport Blog
- Reassigned Time 2.0
- Religion in American History
- University Diaries
- We Are Respectable Negroes
- American Historical Association Blog
- Chronicle of Higher Education
- Inside Higher Ed
- Juan Cole's Informed Comment
- Ms. Magazine
- National Public Radio
- New York Times
- States of Devotion
- Ta-Nehisi Coates/ The Atlantic
- The Book (The New Republic)
- The Book Bench
- The Daily Kos
- The Nation
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Claire Potter's is the first book to look at the structural, legal, and cultural aspects of J. Edgar Hoover's war on crime in the 1930s, a New Deal campaign which forged new links between citizenship, federal policing, and the ideal of centralized government.
War on Crime reminds us of how and why our worship of violent celebrity hero G-men and gangsters came about and how we now are reaping the results.Buy the Book
Category Archives: feminism
July 13, 2013, 5:02 pm
One of the nice things about moving back to New York City is that every time you turn around something interesting is happening. So it was that I found myself in the Rubin Lobby, a huge glass enclosure at the Brooklyn Museum, on an exceedingly warm evening. Institutional air conditioning was more than welcome.Jane Gerhard, an author in the book series I co-edit, was there with Judy Chicago to do a book launch for the latest volume in our series, The Dinner Party: Judy Chicago and the Power of Popular Feminism (University of Georgia Press: 2013).
It is rare that a historian gets to share the stage with someone she has just written a book about; although as Jane pointed out, her book is really about the iconic status of The Dinner Party (on permanent display at the Brooklyn Museum) within popular feminism. Anyway, Judy Chicago does a great job speaking for herself. ”What I like…
June 11, 2013, 10:22 am
Two members of the Moscow-based feminist punk rock collective Pussy Riot have been spotted in New York City in the last week. One of their destinations was the Landmark Sunshine Theater on Manhattan’s Lower East Side, where they took in the premiere of the HBO documentary, “Pussy Riot: A Punk Prayer.” Since members of the collective wear neon balaclavas when they perform publicly, the celebrity crowd — which included Patti Smith — did not initially know that they were there. According to The New York Times, the pair also hit “the feminist bookstore Bluestockings on the Lower East Side,” met ”with leaders of Occupy Wall Street and receiving a guided tour of “The Dinner Party,” Judy Chicago’s feminist installation at the Brooklyn Museum of Art.” (more…)
April 24, 2013, 9:26 pm
If you are not a subscriber to The Nation you may have missed author Deborah Copaken Kogan’s “My So-Called Post-Feminist Lit Life.” Riffing off the title of the TV series about adolescent female angst that introduced us to Claire Danes back in 1994, Kogan rips the lid off what it means to be a female author in a literary world where men rule.
Kogan’s reflection follows her nomination for the Orange Prize, a British literary award given only to women, and is a reflection on the perennial (male) complaint that the time for “women’s” anything has passed. Because feminism finished the work — and anyway, if it’s for women it’s got to be second rate, right? Unlike things for men, like, say, Augusta National, the Joint Chiefs of Staff or President of the United States.
Revealing that she has not yet been allowed to pick a title for one of her four books (Shuttergirl, a 2002 memoir of…
March 17, 2013, 10:29 am
Back in February, we had a two day symposium at my new intellectual home, the New School for Public Engagement. Since it is women’s history month, I thought I would make the edited tapes of the event available to the rest of you, with the events featuring Tenured Radical embedded in this post.
Here is a discussion of the documentary “Some American Feminists,” led by my colleague Tracyanne Williams, and shown courtesy of Women Make Movies (Hat tip to another colleague, WMM board member Michelle Materre, for making this possible.) Here is our first panel, “House/Wife: The Feminine Mystique at Home,” moderated by my colleague and co-organizer Laura Auricchio, which situated women in twentieth century kitchens designed for modern family life.
March 3, 2013, 8:55 pm
Harilyn Rousso, Don’t Call Me Inspirational: A Disabled Feminist Talks Back (Philadelphia: Temple University Press, 2013), 224 pp., paper $24.95.
From its title onward, New York activist Harilyn Rousso’s Don’t Call Me Inspirational: A Disabled Feminist Talks Back argues against the American romance with parables about everyday heroism and triumph over adversity. Instead, this book asks: what would a public that is welcoming to disabled people actually look like? An American Studies Association panel I attended last fall, riffing off of Dan Savage’s It Gets Better YouTube campaign for GLBT youth, put it this way: what if “it” doesn’t get better? What if there is no cure, no triumphant overcoming? What if the body you have is the body you get? Can we imagine instead narratives about rich and full lives with disability?
These are crucial questions, and it is is why you …
February 22, 2013, 10:59 am
Today and tomorrow we are hosting a symposium at The New School for Public Engagement in honor of the fiftieth anniversary of Betty Friedan’s popular feminist blockbuster, The Feminine Mystique (1963). A gathering of multiple generations of feminists in four panels and a keynote, the event was sparked by undergraduates at Parsons School of Design. These young women, who were over 25 years away from being born when the book first came out, planned an exhibit (which opened today and will be up until March 5) inspired by Friedan’s ideas as a class project. One thing led to another, and suddenly we have An Event, with a keynote delivered by feminist historian Susan Ware, who published a wonderful book on Billie Jean King and Title IX in 2011. See our fancy announcement in The Grey Lady here.
December 27, 2012, 5:23 pm
Halberstam and I planned part II of this interview about Gaga Feminism: Sex Gender and the End of Normal (Beacon 2012) around the topic of taking the observations of children seriously. History then intervened. In Sandy Hook, CT, 20 children and 7 adults were shot to death by a young man barely beyond adolescence himself; suddenly, this post became difficult and poignant. However, as Jack pointed out in an email, “perhaps it is even more appropriate” to talk about what children know, and what they care about, at this time.
I agree. We at Tenured Radical honor all of the deceased in Sandy Hook by reminding ourselves of why adult teachers, six of whom deliberately sacrificed their own lives for their…
December 5, 2012, 11:26 am
J. Jack Halberstam is Professor of American Studies and Ethnicity at the University of Southern California and one of queer studies’ most prominent and accessible public intellectuals. Jack has challenged the fields of literature, cultural studies, film and television with path-breaking volumes like Skin Shows: Gothic Horror and the Technology of Monsters (2005), Female Masculinity (1998), The Drag King Book: A First Look (1999, in partnership with photographer Del LaGrace Volcano), and In a Queer Time and Place: Transgender Bodies, Subcultural Lives (2005). More recently, in The QueerArt of Failure (2011) and Gaga Feminism: Sex Gender and the End of Normal (2012), Halberstam has taken queer theory’s classic intervention, revealing what is hidden in plain sight, to interrogate everyday knowledge that is often neglected by cultural critics — cartoons, pop videos, and the questions …
October 26, 2012, 6:38 pm
One of the commenters on my last post disagreed with my view that deciding not to vote is an abnegation of civic responsibility. “There is a good argument to be made about not voting as an act of protest,” s/he wrote, and then pointed out that there are more than two candidates running.”The Green Party candidate, Jill Stein… does represent a real progressive alternative to the status quo.”
I find this comment usefully provocative, and an excuse to extend my remarks about protest voting. In a place like Canada, I would vote for Jill Stein. In the United States, where we have two parties, it is not a “real…alternative” to vote for Stein. This election is so tight that voting for someone who is a progressive alternative, but who will never win the…
October 11, 2012, 2:39 pm
In the spring of 2013, my university is going to be celebrating the fiftieth anniversary of Betty Friedan’s The Feminine Mystique (W.W. Norton, 1963). It’s particularly fitting that we do it here at the New School for Public Engagement, I think, because a big part of our mission is to reach out to adults and non-traditional students who want to finish a college education that was foreclosed or interrupted. Although Betty Friedan was not that person, her activism and writing nonetheless caused women to finish their educations and get back in the workforce.
Betty Friedan was not so good on lesbians, however, causing people like Kate Millett and Ti-Grace Atkinson to abandon Friedan’s fledgling National Organization for Women in facor of the rock ‘em, sock ‘em world of radical feminism. Hence, let me be perhaps hte first to point out that 2013 will also be the fortieth anniversary of…