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Contributors to this collection, edited by Claire Potter and Renee Romano, consider the wide range of challenges the practice of contemporary history poses. These essays address sources like television and video games, the ethics of writing about living subjects, questions of privacy and copyright law, and the possibilities that new technologies offer for writing history. Doing Recent History offers guidance and insight to any researcher considering tackling the not-so-distant past. Buy the Book
- Academic Cog
- Bully Bloggers
- Center of Gravitas (GayProf)
- Chapati Mystery
- Confessions of a Community College Dean
- Constitutionally Speaking
- Crooked Timber
- Dame Eleanor Hull
- Chapati Mystery
- Easily Distracted
- The Edge of the American West
- Ferule & Fescue
- Grow & Resist
- Joe. My. God.
- Lawyers, Guns and Money
- Legal History Blog
- Madwoman With a Laptop
- New Deal 2.0
- New Kid on the Hallway
- Nursing Clio
- Pat Griffin's LGBT Sport Blog
- Reassigned Time 2.0
- Religion in American History
- University Diaries
- We Are Respectable Negroes
- American Historical Association Blog
- Chronicle of Higher Education
- Inside Higher Ed
- Juan Cole's Informed Comment
- Ms. Magazine
- National Public Radio
- New York Times
- States of Devotion
- Ta-Nehisi Coates/ The Atlantic
- The Book (The New Republic)
- The Book Bench
- The Daily Kos
- The Nation
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Claire Potter's is the first book to look at the structural, legal, and cultural aspects of J. Edgar Hoover's war on crime in the 1930s, a New Deal campaign which forged new links between citizenship, federal policing, and the ideal of centralized government.
War on Crime reminds us of how and why our worship of violent celebrity hero G-men and gangsters came about and how we now are reaping the results.Buy the Book
Category Archives: art
June 11, 2013, 10:22 am
Two members of the Moscow-based feminist punk rock collective Pussy Riot have been spotted in New York City in the last week. One of their destinations was the Landmark Sunshine Theater on Manhattan’s Lower East Side, where they took in the premiere of the HBO documentary, “Pussy Riot: A Punk Prayer.” Since members of the collective wear neon balaclavas when they perform publicly, the celebrity crowd — which included Patti Smith — did not initially know that they were there. According to The New York Times, the pair also hit “the feminist bookstore Bluestockings on the Lower East Side,” met ”with leaders of Occupy Wall Street and receiving a guided tour of “The Dinner Party,” Judy Chicago’s feminist installation at the Brooklyn Museum of Art.” (more…)
March 17, 2013, 10:29 am
Back in February, we had a two day symposium at my new intellectual home, the New School for Public Engagement. Since it is women’s history month, I thought I would make the edited tapes of the event available to the rest of you, with the events featuring Tenured Radical embedded in this post.
Here is a discussion of the documentary “Some American Feminists,” led by my colleague Tracyanne Williams, and shown courtesy of Women Make Movies (Hat tip to another colleague, WMM board member Michelle Materre, for making this possible.) Here is our first panel, “House/Wife: The Feminine Mystique at Home,” moderated by my colleague and co-organizer Laura Auricchio, which situated women in twentieth century kitchens designed for modern family life.
January 13, 2013, 11:38 am
Yesterday your favorite Radical took some time off and bicycled over Manhattan to see the Bob Mizer show at Invisible Exports, a tiny gallery on Orchard Street. Born in southern Idaho, Mizer (1922-1992) was an early physique photographer, filmmaker and the founder of Los Angeles’s Athletic Model Guild. This post over at Remains of the Web can give you a brief history of his career, as well as an account of the Bob Mizer Foundation, established to catalogue and preserve the capacious archive he left behind.
The gallery made the wise decision to show only a few conventional portraits. Much of the exhibit is made up of “catalogues,” storyboards Mizer created from contact prints, each of which depict an erotic scene (for example, “The Cowboy and the Bandit” or “The Unfaithful…
April 13, 2012, 4:26 pm
Last week, as prelude to an evening of poetry, my colleague Peter Harris– a writer and a professor here at Colby College–gave a short reading from Adrienne Rich’s “What Kind of Times Are These.” “She burned through the fog that I lived in like an acetylene torch,” he…
April 24, 2008, 8:13 pm
Actually, it’s past senior thesis time. I advised two wonderful honors students, read five other theses (also real labors of love — my Zenith students never fail to impress me when they put their hearts into something), awarded a prize or two (or six, depending on who and what you are counting), and I have two more comments to write. Then I am done for this year. And of course, just as we send this group off into the sunset, the juniors start poking their heads around the doorjam and saying, “Professor Radical — I’d like to talk about my idea for a thesis?”
It’s the time of year that I am full of gratitude: gratitude for students who did their work with integrity and shared it with me, gratitude that a new group has enough faith in my powers of whatever to give it a whirl despite my obvious flaws, and gratitude — well….
That I wasn’t Aliza Shvartz’s tutor at Yale!
You knew I had to…
January 8, 2008, 5:42 pm
OK — so part of the package is that I am in temporary charge of a three year old nephew. Big deal. He’s a sweet boy with a lovely smile. And, after an hour or so at a splendid playground and park by the water, he agreed to accompany me to the Salvador Dali Museum. I have been waiting approximately twenty years to get someone to do this with me, since surrealist art is never on the top of our agenda when we are visiting relatives who don’t see us much. But this morning, it was just me and the boy. So of course I jumped on the opportunity to take advantage of a companion who a) must do what I say, no matter what; b) has a pleasant disposition; and c) has a tendency to say “yes,” “no” or “OK” when you ask him a question. Hence, you…