February 11, 2014, 8:27 pm
For a long time, I have detested the music of Philip Glass. As a teenager, I was swept away by Koyaanisqatsi in the theater (more because the images were new to me, and the dystopian picture of modern life sympathetic, than because of the music, however fitting), but under several influences came to dislike the blunt, in-your-face rigidity of his minimalism, preferring the Steve Reich of Music For 18 Musicians or the Morton Feldman of Rothko Chapel. I went 25 years without changing my mind, snickering at the unflattering Glass segment of Peter Greenaway’s documentary Four American Composers, sighing at the redundancy of the film scores — but a year or so ago, listening to the radio, I found myself rapt again.
The piece was Glass’s Symphony No. 9. It’s repetitive (what would you expect?) but with nuance and form — the movements have a sure trajectory from beginning to…
July 18, 2012, 5:14 am
My usual short bike ride in San Francisco — about 25 minutes starting from my home near Dolores Park — is to head northwest via the Wiggle to Golden Gate Park, on to the Concourse between the California Academy of Sciences and the De Young Museum, and loop back home. Along the way, there’s a series of monuments which I read as an index of our civic preoccupations from, say, the last quarter of the 19th century, into the first quarter of the 20th.
At the gateway to the gateway to the park, so to speak, the east end of the Panhandle, a robed bronze figure, massive but reserved in her grief, holds up a palm branch in memory of President McKinley.
Just inside the park proper, on the right, McLaren Lodge, headquarters of SF Park and Rec, remembers John McLaren, father of the park. It’s a heavy Romanesque affair in tan stone — I believe there’s a meeting room inside…
January 1, 2012, 1:39 pm
Best wishes to all for the new year. Among my resolutions: more postings.
Philip Guston, Painting, Smoking, Eating (1973; via the Guardian). I like the heap of his signature hobnailed boots behind him — I think they stand for the compulsive quality of his work. May we all contrive both to harness and indulge our compulsions, in due proportion!
December 12, 2011, 12:05 pm
Helen Vendler’s review of the Penguin Anthology of Twentieth-Century American Poetry, edited by Rita Dove, is quite a piece of work. (It’s been widely noted in the blogosphere, e.g. here, by I think the same Anderson seen commenting on likeminded blogs.)
Dove’s response is well worth reading. But not having been gored directly, the rest of us may wonder if Vendler hasn’t just missed the point. Do we expect of an anthology that it will supply a complete and final list of the “poems to remember?” That’s from the headline, but it does reflect Vendler’s thinking –
No century in the evolution of poetry in English ever had 175 poets worth reading, so why are we being asked to sample so many poets of little or no lasting value?
How flatly she equates “lasting value” with being “worth reading”! For me, these are pretty different categories – especially for recent work, part of whose…
December 16, 2010, 2:34 pm
On November 7, 1962, Richard Nixon conceded his loss to Pat Brown in the race for governor of California, saying famously, “You don’t have Nixon to kick around any more, because, gentlemen, this is my last press conference.” In 1963, after the assassination of President Kennedy, the Beat poet Bob Kaufman (pictured) took a vow of complete silence, spoken and written.† And in 1982, after four years as governor, Pat Brown’s son Jerry decided not to run for a third term, instead running for the Senate, losing to Pete Wilson, and withdrawing to study Buddhism in Japan.
In that spirit, it’s time for me to sign off. This has been a marvelous blog, and I’ve been happy to contribute to it. Cheers all, and see you in the ether.
† Which he kept until 1975, when he walked into a coffeeshop in North Beach and recited a poem.
November 30, 2010, 9:08 pm
This is far from the usual remit of this blog, but that remit, indeed the blog in general, seem to be in abeyance, and I don’t have another outlet for such trivia.
Eliza Griswold writes, warming up to praise Gjertrud Schnackenberg as highly as she can:
Despite this atmosphere of youth and mirth, there were a small handful of things about which the editorial staff was deadly serious. Language, the rigor and talent to wield it, was tantamount.
But not, evidently, the rigor to look in a damn dictionary to check that words mean what you think. And indeed, Schnackenberg’s poetry, by the examples given, appears to measure up perfectly to such proud but fallible praise.
(Photo by Flickr user M.V. Jantzen used under Creative Commons license.)
October 29, 2010, 6:05 am
Here on the eastern margins of San Francisco’s supervisorial district 8, one candidate stands out — his flyers pile up in drifts in the corners, his volunteers have rung our doorbell three times, and he’s out on the streets himself soliciting votes. I’ll probably vote for him anyway — though I suppose I ought to find out what he stands for first. (At least he seems to be able to inspire passion in his staff, if not logistical rigor.) The state and national races are not even as engaging as that — the stakes are high, true enough, but the less-bad candidates seem likely to win, on the whole.
How’s it looking where you are? Anybody volunteering?
(CC-licensed photo by Flickr user sashax)
September 8, 2010, 9:35 am
Paolo Soleri, now 91, was born in Turin and studied architecture there. He came to the US in the 1940s to work with Frank Lloyd Wright at Taliesin West. (He recounts amusingly (The Urban Ideal, 23-4) that with the little English he commanded at the time, he found himself on a bus to Tolleson, Arizona before being set right.) After a few years back in Italy, he returned to Arizona, setting up an architectural center of his own, Arcosanti. Much of its income came from handcraft projects, such as cast metal bells; but it has also been a laboratory for his architectural ideas.
He’s a visionary, who has seen certain ecological issues very clearly — notably, that the most sustainable mode of living for billions of humans on this planet of ours is to cluster together in cities, leaving as much as possible of nature to nature. Check out the wide-ranging interview with Jerry Brown (1, 2), from…
June 23, 2010, 8:45 pm
I had a vaguely negative impression (mainly received rather than first-hand) of Herman Melville’s abilities as a poet; but “Shiloh” is pretty strong.
Skimming lightly, wheeling still,
The swallows fly low
Over the field in clouded days,
The forest-field of Shiloh —
Over the field where April rain
Solaced the parched ones stretched in pain
Through the pause of night
That followed the Sunday fight
Around the church of Shiloh —
The church so lone, the log-built one,
That echoed to many a parting groan
And natural prayer
Of dying foemen mingled there —
Foemen at morn, but friends at eve —
Fame or country least their care:
(What like a bullet can undeceive!)
But now they lie low,
While over them the swallows skim,
And all is hushed at Shiloh.
A military sentimentality I can get behind. The density of rhyme is certainly artificial, and the…
May 26, 2010, 3:33 pm
Via Steve Benen, an awesome or rather horrific photo-set of the oil’s arrival on the Louisiana coast.
We hear about fears of its effects on the American Gulf coast, and of what might happen as it moves out into the Atlantic — but has there been much discussion of its effects on other Caribbean countries? This map, for instance, shows that it’s expected to move past Havana and the north coast of Cuba.
Update 5/27: optimistic reports.
April 6, 2010, 1:10 pm
The Times article on Roman Vishniac’s photographs of Jews in Eastern Europe before the Holocaust (a few days old now) is fascinating. I didn’t know him primarily through A Vanished World, the book that’s now (somewhat) in question. Rather, I knew first his scientific photography, probably through the many back issues of Scientific American lying around the house as I grew up. Then, when I began to look more seriously at general photography, I spent a long time with John Szarkowski’s Looking at Photographs, in which he’s represented by this dramatically suggestive scene.
From Maya Benton’s research, it seems that in composing the book, Vishniac winnowed down the wide variety of pictures he took, to present a vision of Jewish Eastern Europe as old, rural, narrow, timeless; and that he arranged them to illustrate narratives that didn’t really take place. Neither takes away, though, from …
January 25, 2010, 8:22 pm
has written a lot of rewarding poetry over the years. But for me no single poem has been as coherent and satisfying as the first piece in his first collection
December 23, 2009, 1:00 am
This is a guest post by our friend andrew, over by the wayside. Many thanks!
(Image from W.H. Michael, The Declaration of Independence, Washington, 1904)
On this day in 1941, the Declaration of Independence and the Constitution were taken out of their exhibit cases at the Library of Congress, carefully wrapped in acid-free and neutral packing materials, and placed inside a bronze container designed especially to carry them. When the packing was complete, the “top of the container was screwed tight over a cork gasket and locked with padlocks on each side.”*
The documents remained in this state for the next few days, until the Attorney General ruled on December 26th that the Librarian of Congress could “without further authority from the Congress or the President take such action as he deems necessary for the proper protection and preservation of these documents.” At which point the…
October 7, 2009, 4:08 pm
The photographer has passed, aged 92. I’m suspicious of photography that strays even perceptibly toward the fashion end of the spectrum, but Penn (unlike, say, Avedon) somehow slips in past my Puritanical defenses. Elegant, inventive, technically proficient, various, and whimsical or eccentric enough not to be glib. (more…)