The Times article on Roman Vishniac’s photographs of Jews in Eastern Europe before the Holocaust (a few days old now) is fascinating. I didn’t know him primarily through A Vanished World, the book that’s now (somewhat) in question. Rather, I knew first his scientific photography, probably through the many back issues of Scientific American lying around the house as I grew up. Then, when I began to look more seriously at general photography, I spent a long time with John Szarkowski’s Looking at Photographs, in which he’s represented by this dramatically suggestive scene.
From Maya Benton’s research, it seems that in composing the book, Vishniac winnowed down the wide variety of pictures he took, to present a vision of Jewish Eastern Europe as old, rural, narrow, timeless; and that he arranged them to illustrate narratives that didn’t really take place. Neither takes away, though, from the strength of individual pictures, especially when the suggestion of narrative within them is as strong and ambiguous as in this one. It looks like the man is telling the girl something, but what? Not exactly welcome news, I think.