Rock music, the outlaw darling of postmodernist discussion that up to now has been the subject of largely non-musical scrutiny by sociologists, semiologists, and pop-culturists, is beginning to attract the attention of music researchers. A review of…
This content is available exclusively to Chronicle subscribers
Already a subscriber?
Log in now
Not a subscriber yet?
Subscribe now for instant access to this article and thousands of others, data tables, and interactive charts — all available exclusively for Chronicle subscribers. Plus your subscription includes weekly print or digital delivery of The Chronicle and The Review and the Chronicle iPad® Edition.Subscribe Today